Lately, I’ve been thinking a lot about using real life pain, tragedy, and abuse as entertainment. A part of this comes from listening to the podcast Missing Richard Simmons, in which one journalist looks into the enthusiastic fitness instructor’s rather sudden retreat from public life a few years ago and the turmoil that the show caused. Listening to that show felt weird at so many moments and Amanda Hess over at the New York Times nailed exactly why it felt so invasive.
There are so many other examples similar to Missing Richard Simmons that are based on that same sort of premise: using and telling someone else’s story in a very public way. Many (but not all) of these productions are about events that are traumatic and violent, making them moments that I’m sure not many would want to constantly relive on a public stage.